All Or Nothing

Preston L. Allen’s witty, charming, and very likable school bus driver, named P, is a desperate gambler. He has blown the hundred thousand dollars he won at the casino six months ago, but his wife and family still think he’s loaded. P spins out of control on the addict’s downward spiral of dependency, paranoia, and depression, as he must find ways to keep coming up with the money to fool his family and fund his growing addiction. The bets get bigger and bigger, until finally, faced with the ultimate financial crisis, he hits it really big. Yet winning, he soon learns, is just the beginning of a deeper problem.

The one constant for P–who rises from wage-earner to millionaire and back again in his roller-coaster-ride of a life–is that he must gamble. That his son has died, that his wife is leaving him, that his girlfriend has been arrested, that he has no money, that he has more money than he could ever have dreamed–are all lesser concerns for P as he constantly seeks out new gambling opportunities.

While other books on gambling seek either to sermonize on the addiction or to glorify it by highlighting its few prosperous celebrities, All or Nothing is an honest, straightforward account of what it is like to live as a gambler–whether a high-rolling millionaire playing $1,000-ante poker in Las Vegas or a regular guy at the local Indian casino praying for a miracle as he feeds his meager life savings into the unforgiving slot machine. All or Nothing is the first novel to dig beneath the veneer to explore the gambler’s unique and complex relationship with money. If you’ve ever wanted to get into the heart and psyche of a compulsive gambler, here is your chance.

Like Son

Set amidst the outsider worlds of present-day downtown New York, 1990s Los Angeles, and 1940s Mexico City, Like Son is the not-so-simple story of a father, a son, and the love-blindness shared between them.

Meet Frank Cruz: a post-punk, sardonic, thirty-year-old who unwittingly inherits his dead father’s legacy. Born a bouncing baby girl named Francisca to parents tangled in a doomed love affair, Frank grows up in both the poorest barrios and poshest hills of Southern California. A defiant loner, Frank leaves home at the age of eighteen for the big city, but instead is sucked back into helping his estranged and blind father navigate an untimely death. On his deathbed, Frank’s father gives him a mysterious crumbling photograph of a woman with a stunning gaze: Nahui Olin, a fierce member of the early-20th-century Mexican avant-garde who once brought tragedy upon the Cruz family.

Punctured to his core by Nahui, Frank takes her portrait and flees to New York City to start anew–this time for real. There he meets eccentric, gorgeous, and sharp-tongued Nathalie. The two fall in love, but after seven years of happy-go-lucky life together, in September 2001 the New York skyline tumbles, and Frank finds himself smack in the middle of his predestined fate.

Suicide Casanova

What do Gary Condit, Woody Allen, and O.J. Simpson have in common with Leslie Cauldwell, protagonist of Nersesian’s latest offering? They are Suicide Casanovas. What compels powerful men in the prime of their professional lives to risk so much? Following the commercial success of his first three novels (Manhattan Loverboy, The Fuck-Up, and dogrun,), Nersesian’s new novel is a psychosexual thriller, a dramatic departure from his youthful black comedies: Humbert Humbert without the pedophile penchant, Hannibal Lechter without the appetitite.

Corporate attorney Leslie Cauldwell is middle-aged, handsome, and rich, but has only a few swipes left on his mental Metrocard. During a rough sex session, he garrotes his beloved wife; now he’s an officially designated “sex offender,” off on a bender, looking for love in all the wrong places. Twenty years earlier, when his office was high above the pornographic purgatory of Times Square, Leslie became involved with the adult-film star, Sky Pacifica. She needed a refuge, and he was ripe for the using. Following a brief fling, each went their own way. Two decades later, in 2001, Leslie is still working in Times Square — recently sanitized with its ESPN Zone and MTV window — and fraught with guilt about his “accident” with his wife.

Like Jay Gatsby pursuing an erotic American dream, Leslie, with the help of a private detective, hunts down Sky Pacifica, his latter-day Daisy. Across a landscape of S&M mistresses and porn producers, from L.A. of the ’80s to New York of the new millennium, we see a modern-day tale of love and loss, innocence and corruption, crime and redemption.

Cover photo by John Manoogian.

With or Without You

Summer 1987. Lillian Ginger Speck, high-school graduate, sits in her jail cell contemplating the steps and missteps that led her to murder soap opera star Brooke Harrison in cold blood one bright and muggy New York afternoon. Lily had admired the young star for some time, and her loss is palpable. Her story is therefore part apologia, part love note and suicide pact. Meanwhile, Brooke Harrison’s mother has a tale of her own to tell. In this edgy and compelling “whydunit,” the accounts of predator and victim intertwine. The result is a wry exploration of the contemporary American melting pot of status, beauty, celebrity, violence, and obsession.