Death of a Nationalist

Madrid 1939. Carlos Tejada Alonso y Lean is a Sergeant in the Guardia Civil, a rank rare for a man not yet thirty, but Tejada is an unusual recruit. The bitter civil war between the Nationalists and the Republicans has interrupted his legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist. This war has drawn international attention. In a dress rehearsal for World War II, fascists support the Nationalists, while communists have come to the aid of the Republicans. Atrocities have devastated both sides. It is at this moment, when the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, that Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.

The Vaults

In a dystopian 1930s America, a chilling series of events leads three men down a path to uncover their city’s darkest secret.

At the height of the most corrupt administration in the City’s history, a mysterious duplicate file is discovered deep within the Vaults—a cavernous hall containing all of the municipal criminal justice records of the last seventy years. From here, the story follows: Arthur Puskis, the Vault’s sole, hermit-like archivist with an almost mystical faith in a system to which he has devoted his life; Frank Frings, a high-profile investigative journalist with a self-medicating reefer habit; and Ethan Poole, a socialist private eye with a penchant for blackmail.

All three men will undertake their own investigations into the dark past and uncertain future of the City—calling into question whether their most basic beliefs can be maintained in a climate of overwhelming corruption and conspiracy.

Cover background image from Boston Public Library